OUGD406 - Secret 7 - Concept One Development

After a critique on the initial exploration into concept one, I found that the design is currently too flat and obviously digital, lacking depth and distinction. Though people found the concept and initial composition of shapes effective in their simplicity in conjunction with a strong tonal contrast,
it was suggested that I explore detail through the eye to enhance depth and evidence
of process.

One suggestion I favoured was to paint the eye, a medium suggested in the initial concepts and ideas critique previously also. Although I have not proficiently practiced painting since my GCSE Fine Art experience, I was confident I would be able to produce something to an acceptable standard. Water-colour is my selected paint medium as I believe it provides maximum opportunity for blending and tone/shade variation as a result of its quality.

In order to achieve depth and detail I used a range of base colours, including Phthalo Blue, Prussian Blue, Ultramarine, Cobalt Blue and Cerulean Blue, as well as mixed variations to provide a plethora of tones and shades that would allow me to effectively portray the fine detail of an eye. I also used various brush weights and sizes to create differentiating textures/qualities of line.

I began by using a drawing compass to create a circular perimeter in which the eye would be painted. I then painted a base blue covering the total area, followed by shading and blending around the edge to produce a 3 dimensional sphere aesthetic, as well as additional shading at the top where the shadow from the eyelid would typically be. This instills depth and form to the painting, and
in turn eventually the concept one resolution.

Next, I supplied the eye with its black pupil and lighter textural surround trying to capture the distinct appearance of an eye. This was followed by fine lines around the iris to replicate the extreme intricacy of an eye in a simplified application.

Finally, I added a block of brilliant white to mirror a basic reflection of light in the eye, overlapping both the pupil and iris. The now complete painting now has the potential to enhance the initial concept one design, allowing it to overcome its flat, digital and indistinct visual demeanour.